Tuesday, December 22, 2009

Formal written assessment for epic poetry

In the event that you are absent in class today and don't have the opportunity to start writing while with us...

Here is the assignment that will be due on Tuesday 1/5/09 due via google.docs.  Please do your best to work from what you know  - but if you MUST do some research, make sure to cite it appropriately.

Your task: Write a critical essay in which you discuss two works of literature (Gilgamesh and the Odyssey) from the particular perspective of the statement that is provided for you in the "critical lens." In your essay, provide a valid interpretation of the statement, agree or disagree with the statement as you have interpreted it and support your opinion using specific references to appropriate literary elements from the two works. 

Please select ONE of the following critical lens:

"The adventure of the hero is the adventure of being alive." - Joseph Campbell
"Myths and creeds are heroic struggles to comprehend the truth in teh world." - Ansel Adams
"What makes one heroic? - - Going out to meet at the same time one's highest suffering and one's highest hope." - Nietzsche

Guidelines:

  • Provide a valid interpretation of the critical lens that clearly establishes the criteria for analysis.
  • Indicate whether you agree or disagree with the statement as you have interpreted it.
  • Use Gilgamesh and The Odyssey as your works of literature to support your interpretation
  • Use the criteria suggested by teh critical lens to analyze the works you have chosen
  • For each work, do not summarize the plot but use specific references to appropriate literary elements (for example, theme, characterization, structure, language, point of view) to develop your analysis
  • Organize yoru ideas in a unified and coherent manner.
  • Specify the titles and authors of the literature you chose
  • Follow the conventions of standard written English.

Monday, December 21, 2009

Reminder - In class written assessment begins in class tomorrow 12/23

In class tomorrow you will be expected to outline and begin to construct a task 4 - critical lens essay on epic heroes and the epic form.

Please review your notes from Gilgamesh and the Odyssey and your notes about the epics and heroes...

You will be given a choice of 3 quotes - you will choice only 1.  You will interpret the quote, agree OR disagree with the quote and then use Gilgamesh and The Odyssey as the basis for your support for your interpretation. (You need to use two pieces of literature to support your assertion).

Make sure to be specific to the epic form and hero constructs instead of summarizing adventures. 

These assignments will be due on Tuesday, 1/5 emailed to me via google.docs (just share your documents with me)  Period 2 also share your documents with Mr. Nisonoff (robert.nisonoff@wjps.org)

They will be graded on a scale of 1-6 as if they were a real Regent Task -

Extra credit - Greek / Roman connections

In Global you've been studying the Greeks and will be studying the Romans after.  There are many similarities in their cultures...

In an effort to offer enrichment activities to anyone interested... I am going to posting Ovid's "The Metamorphoses" and Virgil's "The Aeneid" - Both are epic poems from the Romans...

It has been said by Mark Van Doren, "Homer is the world; Virgil, a style."  - I'm interested in what you think.

You'd be required to read some of each of the texts and note the similarities and differences in style, theme, language, ideas, structure

It would first take the form of a t-chart later to be written into a formal essay comparing "The Odyssey" to either The Aenead" or "The Metamorphoses"

http://www.online-literature.com/virgil/aeneid/ - the Aeneid

http://www.theoi.com/Text/OvidMetamorphoses1.html - the Metamorphoses

Themes from the Odyssey from class today - further discussion

http://www.leasttern.com/HighSchool/odyssey/Odyssey8.html - there are many things we learn about the Greeks from the themes portrayed in the Odyssey...

Remember our discussion of:
  • loyalty
  • fate
  • hospitality
  • resisting temptation
  • self discipline
  • justice
  • pride and honor
  • importance of lineage
  • living life to its fullest
  • revenge
  • reconcilliation
  • respect for the gods

Thursday, December 17, 2009

Reminder for tomorrow - Friday, 12/18

Please make sure you have your lit circle books in class with your notebook.  You will NOT be permitted to go to your locker if you come unprepared without your book.

Final thoughts about the Odyssey

Please comment on this post on the blog

Why do you think contemporary readers can still relate to the characters and events in the Odyssey?  Be specific and articulate in your response.

Complete this assignment by Monday, 12/22

Monday, December 14, 2009

Leaving Class - from Mr. Nisonoff

This is directed towards 2nd period. For the past few weeks I have allowed students who came to class late and unprepared to leave class in order to get their notebooks, homework, textbooks, or pens and pencils from their lockers. This stops as of now. Please do not ask to leave the classroom if you come to class late and/or unprepared. We are quickly approaching the end of the first semester and you all know what is appropriate class protocol. Please come to class on time and prepared with your completed assignments.

Sunday, December 13, 2009

Odyssey projects

If you are not pleased with your final product and/or you didn't complete a reflection...

It's not too late.  Please make an appointment to conference with me and you can still continue to work on your assignment.  I will give you some feed back about what can be changed and you can make the needed corrections.

Then you can write a second reflection about the revision process... making sure to consider the following:
  • what did you change?
  • what did you take away from the second experience?
  • how have you improved your piece?
  • do you understand the feedback that was given?
  • what might you do in the future that you didn't do to begin with next time?

Friday, December 11, 2009

- Attention Lit Circle Readers -

Reading time and discussion time in class will be discontinued if students fail to be prepared in class.

This is valuable time to really talk about what you are reading and work with each other to successfully get through your classics -

If you are enjoying what you are reading for independent reading and/or lit circles now, please post a comment to "sell" the book to other potential readers... be specific without giving the book away.  What do you like about it specifically... why would other people want to read it?

Oedipus the King - February

In an effort to allow anyone who is interested to buy the next full length piece we will be doing, I'm posting this info now... We will be doing Oedipus the King.

The version we will be using is Sophocles I - Three Tragedies by Grene and Lattimore, second edition

isbn # 0-226-30792-1

Thursday, December 10, 2009

Lit circle books for class tomorrow

Please remember to bring in your lit circle books and notebooks with postits for class tomorrow.

thanks,
Ms. S

Wednesday, December 9, 2009

Reflections -

Make sure you revisit the questions on the sheet...

also visit http://www.nylearns.org/ to address the standards

go to the standards pull down
ELA 2005
10th grade

Monday, December 7, 2009

Finishing part 1 of the Odyssey - due for Friday 12/11

Which episode or adventure did you enjoy most?  Why? Be specific to the text...

What can you predict about Odysseus's homecoming?

Looking ahead

On Friday, 12/18 - you will have a lit circle day in class. I've managed to move some things around to allot for an extra lit circle day in class before the break.

On Tuesday, 12/22 - there will be a written in class assessment on epic heroes.  You will use your knowledge of Gilgamesh and Odysseus to write a task 4 essay where you analyze a quote (you will be given a choice of 3), agree OR disagree with the quote and then use your knowledge of both Gilgamesh and the Odyssey to support your interpretation.

If you know you won't be in class on the 22nd due to family plans, please let me know in advance.

Thanks,
Ms. Sackstein

Friday, December 4, 2009

Lit circle directions for book 2 - the classics take 1

The book and conversation should be completed by class on January 15th (Friday)

You will have class time on Dec. 11 (next week) to read
  • give out the roles (discussion director, word watcher, illustrator, illuminator and summarizer/connector)
  • start assigning pages to read
You should be keeping logs in your notebook whenever you read:
  • date
  • pages read
  • summary of your reading from that time
  • whatever your role is
You should have evidence of group conversation... in your notebook the conversation should be driven by your role. 
  • date of meeting and who was involved in the conversation
  • conversation based on your role
  • questions you have going forward
Notebooks will be checked in class when you are reading in class and on the 15th when you return the books -
I will be looking for evidence of:
  • comprehension of the text
  • your own analysis of the text
  • conversation with your group and/or others
  • following directions
At the end, you should have AT LEAST 10-15 entries - more is acceptable... less is not.

Tuesday, December 1, 2009

Corrections on Chronology of Odyssey

  1. Troy - Trojan war ends after 10 years
  2. Ismarus
  3. Lotus Eaters
  4. Cyclops
  5. Aeolus (winds)
  6. The Lestrygonians (cannibals)
  7. Aeaea -Circe
  8. Land of the Dead (Hades)
  9. Sirens
  10. Scylla
  11. Thrinacia
  12. Charybdis
  13. Calypso
  14. Phaeacia
  15. Ithica (Return home)

Monday, November 30, 2009

The next episode for Thursday

We will be working on the Siren episode come Thursday -

This episode has been modernized in many ways... recently in a Charmed episode... but the idea of women enchanting men using their voices and bodies is not uncommon.  Think if you remember any other times when this theme has been used and post to this blog.

prereading activity.

Odyssey homework due on Thursday 12/3 (to be checked in class)

Please answer the following questions in your notebook:

1. Whom does Odysseus encounter in the Land of the Dead?  Which character trait does Odysseus display in the Land of the Dead that he did not reveal earlier?

2. What difficulties does Tiresias predict for the journey to come?

3. Based on Tireseias' prediction, which heroic qualities will Odysseus need to rely upon as he continues his journey? Explain.

Independent Reading #4 due 1/8

Independent Reading #3 is due to me on Friday 12/4 via Google.docs

The next assignment will be due on January 8th (IR #4)

Wednesday, November 25, 2009

Have a very Happy Holiday

 I would like to wish everyone a very happy Thanksgiving. There is so much to be grateful for every day.

Tuesday, November 24, 2009

Independent Reading assignment #3 is due Friday, Dec. 4

This is next Friday... please work ahead.  If you finish the assignment early, please consider sending it to me early.  Your feedback will be more immediate and I will get them done faster.

Thanks,
Ms. S

If you'd like to see a good example, please ask Rosemarie to show you their last assignments -

Please read for Monday - 11/30 -

http://classics.mit.edu/Homer/odyssey.11.xi.html - The land of the dead episode

Make sure to take notes/summarize in your notebooks.

You will read a different copy in class... if you want to make copies it is p. 999-1004 from the classroom copies.

Make a list of the characters and the plot events.

Supplemental help... summary and clues

http://www.bhsonline.org/english/ody/ody.html - this breaks things down easily into small bites... hopefully it will help.

Monday, November 23, 2009

Lit circle blogs

If you haven't received a grade on your lit circle, it is because for some reason I don't have a link to it.  Please check teacherease.

If you see that your blog is counted as missing, please email me with a link to your group's work.

Thanks,
Ms. Sackstein

The full Cyclops text - as promised

http://www.wsu.edu:8080/~dee/MINOA/POLY.HTM  

For those of you whom want to read...

Thursday, November 19, 2009

Independent Reading reminder

Please come prepared in class tomorrow, Friday, 11/20 with an independent reading book, some post its and if need be a copy of the Independent Reading assignment. 

I expect the class to use class time to work on this tomorrow.

There are two sample assignments hanging on my wall for you to see.

Tuesday, November 17, 2009

Part 1 of the Odyssey - homework questions due on Monday, 11/23

The following questions should be answered in YOUR NOTEBOOKS -

Thinking about the selection we read in class today:

1.What is your first impression of Odysseus? Which of his qualities do you admire and why?
2. Describe the events on Ismarus. What lessons can be learned?
3. What significant role does his home play in Odysseus' epic journey? Where is home?
4. How do Calypso and Circe keep Odysseus from readching home?  What were his feelings like when he was with them?
5. What happens to the men who eat the Lotuses?  What does this suggest about Odysseus's relationship with his men?
POST THE ANSWER TO NUMBER 6 ON THE BLOG
*****6. In what ways is the world of the Odyssey similar to today's world? In what ways is it different?

Lit circle books to be returned

Please return your lit circle books as soon as possible...

When you return the book, don't just leave it on my desk.

Please make sure I cross your name off in order to ensure you don't get a penalty for not returning it.

Thanks :)

Monday, November 16, 2009

The Odyssey by Homer - full online text

http://classics.mit.edu/Homer/odyssey.html

The full text

The Odyssey - next project (courtesy of J. Harrison from LV HS)

Do one of the following assignments:

1. Write a new episode of The Odyssey in the same style as the episodes we have been reading in class.  Follow the requirements and guidelines given below.
  • Give the scene a clear beginning, middle and end
  • Develop the middle section sufficiently so taht the episode does not move too quickly from beginning to end
  • Remain faithful to the greater tex of the The Odyssey. For example, avoid changing the story that is written, such as Odysseus's goal or personality.
  • Aim to create a story with the same qualities we have noted in The Odyssey. We have noted that the story is imaginative, adventurous, suspeneseful and surprising.  We have also noted the epic's vivid and detailed description, the heroic qualities of Odysseus (strong in the mind and intellect, cunning, devoted to his family, respectful of the gods, but not perfect), the triump of good over evil, and the way the story promotes desired values.
  • Write teh episode in verse, in imitation of the original and the translation by Fitzgerald.
2.  Perform a scene from The Odyssey with a small group of classmates.  Follow the requirements and guidelines given below.
  • Choose a scene that the group is excited about, not one that seems easier to perform.
  • Write a complete script for the scene, including all lines and stage directions
  • Remain faitful to the text.  You may make alterations, (for example, of wording), but you should avoid making essential changes (for example, don't make Odysseus and Polyphemus friends).  If you are performing a scene from which we read only an excerpt in class, then you should obtain and read the whole scene before creating the script.
  • Utilize the non-dialogue parts of th etext either in additional speeches or in scenery, props, or stage directions.  For example, if the phsycial setting of a scene is important and you cannot recreate it physically, then have a character refer to its qualities.
  • You may also utilitze a narrator.  A arrator can provide important information about the context of the scene that is difficultt to convey in other ways, especiially at the beginning of the scene
  • Strive to assign the members of the group equal work loads.  Youw ill be asked to describe how the responsibilities were divided.  Group members will be rated individually, so everyone must do his/ her fair share.
3. Do a combination of 1 and 2.  Write a scene in script form; then perform it.  Follow the appropriate guidelines from 1 and 2.

****Reflective journal on the The Odyssey episode (everyone must do this)****
Write a journal entry in which you reflect on the project.
You might describe or discuss:
  • The process of creation, e.g., how you or your group thought of your good ideas
  • How worthwhile/interesting/ fun teh process of creation was
  • What you learned about The Odyssey you did not know so well before
  • Difficulties involved and how you overcame them or why you did not
  • Hwo you would approach the assignment differently if you were doing it again
  • How the assignment might be altered in the future
  • What specificall you contributed to the group effort
  • How equally or unequally members of your group contributed to the overall effort.

Midterm grades

Good morning everyone,

I hope you all had a good rest of your week while I was out.  I got a very good report from Ms. Douvres, so thank you.

Just wanted to break down what went into your midterm grades -
First of all - I always go for a modest score in your ball park.  So if you are bordering between a B+ and a B, you will get a B for the midterm and if you maintain the work will most likely go up to the B+ at end term.  I do this because I feel it gives us both more wiggle room between now and the end of the term.

Because I didn't get home from the convention until late Saturday night, I've been grading feverishly and still haven't managed to finished all of the IR #2 and 2 Voices projects, so your grade will be based on the following:
  • class participation (both verbal discussion in the whole and small group)
  • your notebook
  • the first IR assignment
  • the first embedded assessment
  • blog posts
  • amount of late assignments
  • Gilgamesh group assignment
  • Your reflections
  • *** if your work has been graded already, then it will be a part of the consideration.
Individual conferences can be made to discuss grades, BUT I will NOT humor these discussions  during class time.  This is your personal business... NOT the classes, please don't raise your hand in class to talk about it.  Discretely come see me at the beginning or end of a period or email me.

Thanks

Tuesday, November 10, 2009

Lit circle blog requirements

Lit circle blogs are due on Friday, 11/13

Each member of the group should have posted at least 5 main posts depending on their role.

You should also have also  commented on everyone's posts at least once.

Monday, November 9, 2009

Reminders

Embedded assessments are due tomorrow - Please make sure you have the written portion in class today to do last minute editing and feedback

Independent Reading Assignment #2 is passed due -please submit if you haven't already

Lit. circle blogs are due on Friday.  You will have time in class on Thursday and Friday to meet as a group to figure out how to complete these blogs.

Those of you who switched classes, but are still in your lit. circle group, it will be necessary to at least read and/or make posts - discuss with your old group.

Friday, November 6, 2009

Tuesday 11/10 - in class writing

Just a head's up that on Tuesday, you will doing a full period writing reflection in class...

The purpose of this writing will be to -
  • building writing stamina for an extended period of time in an effort to prepare for the inevitable tests
  • reflect on the school work done so far and your learning with it
  • to discuss the standards and where you feel you are at
  • to comprehensively look at yourself in the scope of this class
It will be collected and graded...

Thursday, November 5, 2009

Friday, November 6 - Monologues - bring springboard books

Please bring in your springboard books to class tomorrow for an activity with monologues.

Thanks,
Ms. Sackstein

Another written voice - example -Sackstein - magazine article

It’s worth the hair loss at deadline



Creating a newspaper program on scrap to publication:


Scholastic print journalism and its continued importance in a convergence society
 published in Advisor Update Magazine, Fall 2009

By Starr Sackstein, World Journalism Preparatory School, Flushing, NY

Daunting. Overwhelming. Hectic. Crazy. These are perhaps the first words that come to mind when asked to advise or teach newspaper, the seemingly dying branch of scholastic journalism, to budding high school reporters. It’s time consuming and sometimes demotivating but completely worthwhile despite the growing discussion of convergence and the expiration of many major professional newspapers. In spite of this grim reality, there is something completely gratifying about teaching students how to write well, design eye catching pages, work as a team and then the pride involved with sharing a newspaper (regardless of the ink latent fingertips) for an authentic audience.

When I arrived at World Journalism Preparatory School, it was evident that this school was not like other schools I had taught at before. It had only been open for one year prior to my arrival and already it had a reputation for greatness that was unsurpassed by other places. The teachers enjoyed working there and the administration was remarkably supportive. It was the best case scenario for starting a newspaper: open press, no prior review and complete student responsibility and ownership. I was told right away that I was there to help them grow as journalists, not to do it for them. (Honestly it was a relief because the last school I had taught in was literally the complete opposite… principal had to see every issue before it went out and the kids couldn’t say anything that was even slightly off putting about the school. It was stifling to say the least.) According to Cynthia Schneider, the school’s principal, publication amps up the need for quality and is the best application of learning.

Where to begin, though? I spun my wheels for a little bit taking what I know about writing for and running a paper and trying to translate it into a class that would produce a paper.

The First Try – our biggest failures are often the impetus for our greatest successes

Things didn’t start off as well as I had hoped they would. Getting the students to write was a challenge despite the fact that they attended a school that immerses the students in writing. Breaking them out of the mold they were accustomed to writing in was the next challenge and then teaching them InDesign was surely going to lead me to early retirement. My first year was a bit of a learning experience for everyone. We were able to get out three issues, none longer than eight pages and although there was improvement, there was still much work to be done.

Round two: Learning from my mistakes – leading by example

After what I considered a less than successful start (as I hold myself and my students to extremely high standards), I knew a new approach was necessary. So I took a deep breath and started at square one again, mission statement. What is it that we want to represent? What kind of editorial policy should we have? Whose voices should we represent? What is our purpose for being? The students broke up into groups and read an anonymously published editorial from the prior year and a letter to the editor that the parent coordinator had written in response to the editorial. This was the first necessary step. Without purpose and parameters, there would be no way to gage our growth; we needed to be deliberate in our actions and from the first step, the students needed to be the ones to decide. Ownership needed to clearly be theirs.

The class was asked to search the mission statements and editorial policies of other school and professional newspapers and to post what they had found on our class blog. We then came together as a class and created what we felt was a good composite of what we researched. The students felt strongly about not allowing “unprofessional language” into the paper. They wanted to be taken seriously. The tone was already different from the year before and it was clear we all meant business. I knew that they would work harder than they had ever worked before in an English class, but the rewards would be greater than anything they had experienced before as well. “My impression of our class was that it we were going to learn about how to write in a newspaper and by the end of the year I learned InDesign and how to write different types of articles,” said Eirene Skocos, sophomore. “I wasn’t expecting the class to be so hard. I thought we were going to learn how to write articles and then there was so much other work like the Blazer [the school paper].” Many of the students felt the way Eirene did and many of them asked to be transferred out of the class complaining that it should have been listed as an Advanced Placement (AP) because of the amount of work. Motivation was going to be an issue and continued to be (for all of us).

Writing boot camp

The hallmark of any good paper is good writing. So we put design on hold for the first few issues until the students were writing up to par. Mini lesson after mini lesson, we would work entirely as a publication. Everyone learned news writing first and tenets of it. We had long class discussions about what legitimate news was and the kind of material we wanted to run in our news section. We talked about timeliness, proximity, importance, audience. We examined newspapers with ongoing current events assignments where they looked at author’s craft reflecting on the writer’s ability to stick to the inverted pyramid and determine how engaging the style of lead was. How could they use what they were seeing in their own writing? What could they improve?

Learning news writing is difficult, particularly when accustomed to writing essays, so the students were having a hard time conceptually. They revised and revised tirelessly as I sent them back to the drawing board to cite sources and check facts and get more quotes, shorten paragraphs. We conferenced daily to address the individual needs of each of the students and just when they started getting their footing about themselves, the layering began. And so began the three ring circus. If we were going to run a proper paper, we needed more than just a news section. The class was promptly split into sections and now in addition to writing the news the whole class was writing, each section was responsible for learning the new writing and creating a piece for that. The students decided what went in and by November, we had our first issue coming in at 16 pages which was longer than almost all of the previous year put together. We were on a roll and the students were exhausted, but proud.

Every time we satisfactorily finished a type of writing as a class, we started a new one and the students were still responsible for keeping up with their section work as well. If we happened to be working in their section, then they needed to produce two articles for the next issue. We continued to conference daily and my section leaders checked in with me daily as well. A reference library was created for students who needed more modeling or more reading time and the students began using it as often as they used me and each other to improve their writing. Before long, we were really were functioning as a paper.

Feature writing, investigative feature, editorial/opinion, sports writing and entertainment found their way into everyone’s thoughts and google.docs. We talked about proper interviewing techniques, reviewing notes and citing appropriately. Continued discussion of content and writing were ongoing and abundant, but the conversations moved away from my direction and into their hands. After having taken the Poynter’s boot camp last summer, it had been suggested to allow the students to make and learn from their own mistakes without my shielding them too much. This piece of advice got me through this year and I think all of them are better journalists for it.

Selecting the first editors as the leaders emerge

I had my clear talent and leaders in the room. Struggling with how democratic the process should be, I worked alone for this first selection process. Seeing as I knew them as students and writers now, I knew who needed pushing and who needed more time. My editors-in-chief were an unlikely pair: a natural leader with people skills, but with less than stellar writing skills and an impeccable writer who was longing to be set free from her shell. They turned out to be a great pair; both eager from the get go to please me and do a good job. The section leaders were standouts too, comfortable commanding several peers and capable of maintaining quality from their respective sections even when motivation was at an all time low. Those who didn’t think themselves capable, rose to the occasion because of my confidence that they could do it and others began to meet deadlines and help out despite not having the role officially assigned to them.

An important lesson that was learned during this process was that I had to give different kids a shot to be in this position and stay out of their way as they were searching for their managerial style. Although hard to watch them struggle with each other, I found it necessary to allow them space to figure it out. In some ways, the skills they developed in these roles trumped those developed in their writing. They became more confident and aware of themselves, readily able to discuss strengths and weaknesses.

Progress… and the beat goes on and on and on…

The year went on and we managed to get out five issues, each one gaining in complexity and thoughtfulness of writing as well as design. InDesign proved to be the bane of many a student’s existence, but all of them showed proficiency in the end. We even called in a professional to teach a full day class to the teachers and students and then turn-keyed the information to the other students. It was remarkably helpful in getting the students engaged in wanting a more dynamic publication as well as getting more teachers to use the program in their instruction in our continued effort to further the journalism theme throughout content areas in our school.

The students continued to question the importance of everything that went in and tackled hard issues like the school’s grading policies and teacher involvement in student lives. There was a particularly good opinion piece written about teacher contact with parents that came from one of my other feeder classes. (I also taught a foundations in journalism class to my freshmen). They expanded their ideas of important to world news and managed to keep it interesting for a middle and high school audiences alike. With each paper that came out, the readership grew and by our final 60 page issue, there were few better sights than walking by all the classrooms after delivery and seeing the students flipping through the pages that we had created.

With the newspaper world crashing around, a newspaper teacher has to ask if this is a dying skill to teach now. For a high school such as ours, it is hard to say that we will ever give up the print form of reporting news. We have Nings and broadcasts and podcasts galore, but the authenticity of real newsprint will never go out of style. Despite the dirty fingers, the students wouldn’t readily run to the school’s website for the same information. In secondary education, the health of the school can be determined by their newspaper and for that reason, we must continue teaching this way. Having something to hold, look at and be proud of is irreplaceable and I’ve watched several kids become reporters this year that never thought they’d want to be them.

Looking ahead, I’m going to continue the program with constant growth in mind. As the students progress, there is much to learn in the business end of journalism. Better, cleaner, copy will always be at the helm of our creations. We are going to look to ways to involve more than just my students, as the newspaper is the lifeblood of any school. Ms. Schneider said, “Kids need to see the power of their words to leave a mark on the school and on the world. Publications are a means to the change the world.” And I hope to facilitate their journey to leaving that mark.



Photo by Starr Sackstein

Students peer edit to ready a piece for publication. Diligently students work together to teach each other how to write better, not just finish the piece.



Photo by Starr Sackstein

Working hard at research and writing, a student in my newspaper class develops more than just writing skills; they continue to hone their understanding and usage of technology.



Short Bio of Starr Sackstein

I currently work as a secondary English/journalism teacher at World Journalism Prep School in Flushing, NY after finishing 3 years of teaching at Far Rockaway High School in New York City and 2 years at Locust Valley High School in the suburbs on Long Island. Before that time I also freelanced as a music journalist writing for Relix Magazine and local newspapers. In addition to journalism, I also write fiction and poetry and enjoy teaching the craft of journalism to my students.

http://wjps.org

http://wjpsnews.ning.com/ - to see copies of the Blazer, the school paper



Helpful texts and websites when first starting out

Inside Reporting: A Practical Guide to the Craft of Journalism by Tim Harrower

Associated Press 2009 Stylebook and Briefing on Media Law, 44th ed. Darrell Christian, Sally Jacobsen and David Minthorn, editors

Sports Writing: A Beginner’s Guide -Steve Craig

Scholastic Newspaper Fundamentals, 3rd ed. – Helen Smith

Newsu.org

www.studentpress.org

Written model and reflection for embedded assessment project.

Written – embedded assessment #2 – 2 voices (poem)


By Ms. Sackstein

The Many Mes

Craving the comfort

Of a fine tipped pen, blank paper

The open outlet –

Electric with possibility

Stockpiled with both endless encouragement

And disappointment

Gently nibbling at my psyche

To produce



Many roles portrayed

From day to day

Forever shuffling in importance

Longing to quench the hunger

In my soul

To create

And the responsibility

To represent other “Mes”

At home, in the classroom, alone…



Inking reminders… visibly written

Beckoning enlightenment

Calling for imagination

Dwelling on talent – that sometimes feels asleep

Drooling in my memory

With my inner voice

Vehemently looking to wake it



How much do you share?

As a teacher, student, writer, mommy, friend?

Without judgment or fear

Shocking persuasion

Again seduced by the half written page

Blue lines, sexy without boundary



Leveraging legitimate language

That reminds me I’m not afraid

I’m learning… evolving.





Reflection for second embedded assessment



In selecting my two voices, I really tried to consider what would come across best and maybe show all of the students a different side of what they see. I feel like I wear so many hats and often feel inauthentic to my voice, the “Starr” voice that seldom gets to come out purely in school. I work very hard in life to try and get my truths across no matter the forum in which I am living.



I chose the podcast because I feel like my “mommy” voice is really the most important voice I have. I have been writing letters to Logan for a long time now as I want him to know when he grows up the things I think as I watch him and I hope for him. I write the letters with the full intention of sharing them at a more appropriate time.



When I sat down to write the letter for the podcast, I thought about what kinds of things would be useful to talk about and considered my diction knowing that Logan would be an older man when he heard it or read it. I knew full well, however, that I’d be sharing it with the class so the material I opted to use was also censored in some way. I think I met the standards for speaking in English as I have found a way to connect my voice to all of the students and to myself in a unique way. I feel that it is obvious whom I am speaking to and how I hope he will receive it in the future.



The other voice I chose to represent is my inner voice. Choosing a poem, I felt was a creative way for me to show the struggles I face as a teacher forced to play many different roles in my life. I’m first mother, teacher, friend, writer, etc. The stanzas use the metaphor of writing and finding language to know how to react to situations. I make mistakes and that is evident, but I’m not afraid to self correct.



I think I chose the voices I did to offer a different perspective of who I am. I often feel conflicted by the boundaries and restraints of having to play these roles, but the alternative doesn’t seem bearable either.



If I had to do the assignment again, I think I may have shared a written, published voice. I feel like that may have been more different than the two I chose. When I shared it with the class, there was some good feedback about my two voices not really sounding too different. I’m not sure if it’s because of the language or because of the tone. It is essential to my survival in the profession I have chosen to hone my varying voices for appropriateness. I definitely can’t speak the same way around my students as I do my friends.

Interesting article about how colleges are using facebook and twitter in the classroom

http://mashable.com/2009/11/03/hotseat/

Tuesday, November 3, 2009

Independent Reading

Independent reading #2 is due on Friday, 11/6
it should be sent as a google.doc to ssackstein@wjps.org

Independent reading #3 is due on Friday, 12/4
it should be sent as a google.doc to ssackstein@wjps.org

Monday, November 2, 2009

Program to record on PCs for podcast on embedded assessment

Audacity - open source program
http://audacity.sourceforge.net/

Use garage band on a Mac

Embedded assessment 2

a reminder that your second embedded assessment - the 2 voices assignment is due on Tuesday, 11/10. 

Please bring in your written piece of the assignments on Monday 11/9 to be peer revised for last minute checks...

I would share your podcasts as well as another way to self check.

Sunday, November 1, 2009

Reminder - Independent Reading #2...

Is due on Friday, 11/6 via google.docs...

reminders... 10 components - passages must be present and analysis should included direct textual evidence...

Friday, October 30, 2009

All classes (period 8 - you will have to wait until Monday...) due on Thursday, 11/5

Please answer these questions in your notebooks about the varying elements of Sumerian culture that shown through the epic of Gilgamesh?

What makes a good leader? Does Gilgamesh become one? how? What qualities does he exhibit?
How do the Sumerians feel about dreams?
What is the most important lesson Gilgamesh learns?
What do you feel is the most important lesson that Enkido learned was?
What is the meaning of life? What does this say about Sumerian culture?
What can you predict for Gilgamesh's future?

Gaining eternal life - flood mythology

Epic of Gilgamesh -

 http://eawc.evansville.edu/essays/brown.htm  - please read this essay on Storytelling and the Meaning of Life

How does this essay help you understand the myth better?

What do you learn? Do you agree or disagree wtih Arthur Brown's analsys and why?

Comment to this blog post by Tuesday, 11/3

Thursday, October 29, 2009

i need to catch up with english work tonight, it is a must.

Gilgamesh Theater - presentations tomorrow and Monday

Please remember that when you come into your next class, you will be presenting the skits you wrote today... everyone in the group must be included.

The whole script will be original - everyone should have a copy of the script. You may read from the script.  You don't have to memorize.

We will finish all presentations in one period... this means cooperation, please. 

This is counting as an in-class group project.

Tuesday, October 27, 2009

Gilgamesh reading (Alex, Sophia, Michelle, David L, Chris)

"So the two warriors went to the armor makers, who made them weapons, as they watched them work."

For this passage our group interpreted that the two warriors are preparing for an adventure because the two warriors went to the armor makers to make weapons for them. When our group read this, our basic instincts tells us that they are about to venture on a quest.

"Huwawa's mouth is the fire; his roar is the roar of the flood water; he breathes and there is death."

In this passage our group noticed that the author used metaphor to describe Huwawa's strength.
"His roar is the roar of the flood water", this metaphor is to stress that Huwawa is powerful and can't be easily handled.


Alex Bao

Cultural projects

Please take your projects home ASAP.  We'd like to clear out the back of the room.

Thanks :)

Academic Lab - 10/28

If you are in my academic lab period 2 tomorrow... please bring your notebooks, springboard books, lit circle books and/or independent reading books.

Thanks

Gilgamesh - terminology

Today in class: 10/27
poetry terms:
couplet - a 2 line stanza in poetry
epithet - an adjective or adjective phrase that expresses characteristic qualities of the noun it modifies; a babbling brook or a swelling sea. Example from the text, "the strongest one of all," "the perfect," "the terror"
repetition - used to add emphasis in poetry to a particular phrase - sometimes to help establish a pattern structure

Gilgamest - Tablet 1

http://www.yale.edu/ynhti/curriculum/units/2007/2/07.02.01.x.html#b - taken from Yale Teaching Institute:
Gilgamesh


The epic of Gilgamesh examines the quest for eternal life, friendship, abuse of power, and relationships. The epic is divided into twelve tablets each detailing a different aspect of Gilgamesh's adventures. Gilgamesh is the historical king of Uruk during 2700 BCE. Sumerian tablets still survive detailing his adventures. The tablets of this epic were found in the library of Ashurbanipal, the king of Assyria.

Tablet One

Tablet One begins with Gilgamesh admiring the city walls of Uruk. Gilgamesh is 2/3 god and 1/3 human. He is a king who has superhuman abilities. These abilities are not something he does not know. He is not a kind king because of his youth and excessive pride. The people of Uruk call on the god, Anu, to help them against the rule of Gilgamesh. In response to the people, Anu created Enkidu, a wild beast of a man who lives in the forest. Enkidu is created to rival Gilgamesh and teach him humility and friendship.


While in the forest, a trapper comes across the wild, Enkidu, and Shamhat, a harlot, is sent to "tame" Enkidu with her sexuality.

If Enkidu gives in to this temptation, he will lose his strength and wildness, but will gain knowledge and understanding. Once his strength is lost, he is upset but learns he will be able to go into the city to meet Gilgamesh.

During this time, Gilgamesh has two dreams. Both dreams have something (a meteorite and an axe) arrive at his door. Gilgamesh's mother translates these dreams to mean that a great force will come to Uruk but will be a help to him both physically and mentally.

Student Journal Questions: (to be answered in your notebook by Thursday, 10/28)

- What makes a good leader?

- Does Gilgamesh have these qualities yet?

Monday, October 26, 2009

Deadline changes

Embedded assessment 2 will now be due on November 10th (Tuesday)

Lit. circle blogs will now be due on Friday, November 13th (you have a week extension)

Sunday, October 25, 2009

Contrasting Voices - graphic organizer

to be used for your project and also in your independent reading and/or lit cirlces...
p.34 in Springboard

persona is a voice assumed by a writer that is not his or her own. 
try to visualize situations when trying to figure out which personas or voices you want to use for the project.

Preparing for your embedded assessment 2 - "What gives writing a voice?"

As you continue to work on your projects outside of class, here are some more activities to get you thinking:

in your Springboar books, look at pages 30-31 (those of you who still don't have books, please share with someone who does or ask someone to photocopy the pages for you.) (These are NOT required activities, but rather suggested ones to aid you in your assignment... I STRONGLY RECOMMEND you take the time to do them, as they will help you prepare your assignment.)

  • What are the voices of the speaker? Highlight lines that indicate the speaker's identities.
  • How does diction show identity? Highlight examples (diction - word choice)
  • Who is the audience?
  • What is the author's purpose?
  • What is the speaker's attitude or tone? Make the text to show textual evidence.
You  can also apply these things to what you read in your independent reading... when you are identifying author's craft, you may want to talk about diction or tone... what does your author do that is successful to a reader?  Voice can also come across in passages about protagonist's quality or conflict.

Saturday, October 24, 2009

Topics for Monday - things to think about...

What is a hero?
(all info taken from Teaching the Epic of Gilgamesh by Kristen Grandfield - Yale/New Haven Teaching Institute)

Epic poetry: The epic poem is a long, narrative poem detailing the adventure or journey of an epic hero. Early epics are the result of oral tradition and have eventually been written down after many years. The author's of the first epics are unknown because of the oral tradition. As time progressed, what is known as a secondary epic style developed and authors went to great lengths to write epics in the style of the early, or primary, epic poems.

The general characteristics of the epic poem are that initially epics were intended to be sung or recited, much like music today. The poems are often generated by times of struggle and adventure. For example, the Trojan War served as inspiration for the writing of Homer's epics. The epic hero is larger than life, even though he possesses normal human characteristics. His personality and abilities, however, are more super than those of everyday man.


The epic poem has a clear set-up and design. The poem begins with an invocation - this invocation calls on a muse or god to inspire divine intervention while telling the tale. In the invocation, the subject and the epic question are introduced.

The epic's language is literary and elevated. The language is used by all in the poem, from king to servant (even though epics rarely detail lives or actions of the servants). Epic conventions include: the invocation, the epic question, the epic or Homeric simile, the epithet, the confrontation between two adversaries, the element of "in medias res", and a battle or combat

"In media res" translates to "in the midst of action". Essentially, the poem begins in the middle or during the action. The audience learns background information and details as the epic progresses. The simile is much like the literary simile using "like" or "as"; however, the epic simile is full of description and helps to move the action along and to build suspense.

We will also be discussing the epic cycle and epic hero...

Objectives for teaching Gilgamesh - (Global history/World Lit)

The objectives for this unit are:



Objectives:


1 Read, write, speak, and listen to construct meaning from the reading of The Epic of Gilgamesh;

2 Read with understanding and respond thoughtfully to a variety of materials and writing prompts;

3 Students will write before, during and after reading. The writing will have students journaling, answering questions and writing pieces similar to the ones they are reading. Also, they will be revising initial writing and understanding of what is being read;

You will have some blog posts and journal entries to write into your notebooks from time to time at home...
 
Please consider the following for Monday,
What is a hero?

Gilgamesh - change of plans

After doing some more planning of my own, I've decided to trash the idea of you all reading it on your own... I think the text may be frustrating for you and that is NOT the intention of the assignment. 

So we will be spending time in class week, exploring Sumarian culture, through Gilgamesh... exploring passages

addressing ideas/terms such as:
  • archetype
  • hero
  • social structure of Sumerian society
  • qualities of a good ruler
  • oral tradition/ storytelling
  • translation
  • civilization
We will be using skills such as:
cloze reading
analysis
jigsaw
breaking apart difficult texts
textual support
making historical connections with modern ideas.
writing about literature

Friday, October 23, 2009

Brainstorming for you 2 voices project

As you are all in a frenzy about what to do with project....

Start here -

Think about the many voices you use in a day -
How do you talk to your friends? peers on a team? close friends? aquaintances? parents? authority figures?

Do you act differently at school? on a playground? on a team? at work?

Do you struggle with ideas and work hard to reconcile some of your inner beliefs with the ones you outwardly address?

Do you write poetry? Do you have a hard time expressing yourself?

Do a personal survey of a day... who do you interact with? how do you interact with those people?

For example:
My day I start out as "mommy" - we will call this voice number 1
then I come to school and I am "Ms. Sackstein"
then I may talk on the phone with my mom and I am "daughter"
then I hang out with my friends and I'm just "Starr" - with different friends, I am different levels of such... etc.

Each one of the above people encompassed in me, have varying degrees of intensity... which level and/or situation do I want to portray?

I can do a monologue or a class lecture as a podcast or I can do a lesson with Logan while I help him with his homework...
or I can do a conversation with my mom
or maybe I can read a piece of my poetry.

For my written piece, I was thinking of exploring the conflict of the different lives I lead...
I could do a journal entry, or a poem, or a memoir or a news article or opinion piece... etc.

I hope this helps some of you get started... remember this assignment is due finished on 11/9.  I would like to see drafts with the finished product...

You can always ask for help... make a conference if you want one.  Contact me via email at ssackstein@wjps.org

2 of my voices - embededded assessment # 2 - grading criteria

These are the areas that will be graded: (as per the rubric on p. 51-52)

ideas:
  • original texts skillfully demonstrate unique voices reflecting two different subcultures by:
    • coherently communicating a message about the speaker, the speaker's group, or the speaker's part in a group
    • clearly targeting that message to an inteded audience
    • skillyfully employing vivid imagery and language (diction and syntax) to convey specific tones appropriate to teh purpose and audience.
Organization
  • ideas are arranges in a way that perceptively supports a specific voice and communicates teh intended message
  • The texts creatively and accurately relate to specific voices and are appropriately formatted.
Reflective text
  • The reflection insightfully and thoroughly explains the writer's different voices
  • it justifies using those voices for a given situation, audience and purpose by thoughtfully analyzing the significance of voice as necessary life skill and expression of identity.
Evidence of the writing process and rehearsal
  • the texts and oral delivery demonstrate thoughtful planning, significant revision and careful editing in preparing publishable drafts and the final performance

Lit circle book blogs

Group members should be conducting their "conversations" for the book on the blog... based on your roles, you should be making posts daily or every other day to make sure the conversation is being had.  All group members must contribute to the blog.

Thursday, October 22, 2009

period 8 - please do the following reflection in your notebook -(all other classes should have done it in class)

Please reflect on this project experience:
  • What did you learn about yourself?
  • What was your process like? (from beginning to end)
  • What would you do differently?
  • What challenges did you face?
  • What did you learn about yourself as a learner?
How can this project help to build a classroom community of learners?

Cultural presentations

Thank you everyone who presented for sharing a little bit about themselves.  I'm amazed at how much I have learned about each of you and am eager to learn some more.

In class tomorrow we will be going over the second embedded assessment, so please bring your Springboard books and questions to class.

Next week is portfolio conferences, so you may want to take pictures of your whole project to upload to your eportfolio... you can just use your written piece as a part of that or anything else we have done in class so far.

More on this tomorrow.

Tuesday, October 20, 2009

10 object ABOUT YOUR SELF

Cultural presentations

Post something that you learned today about your classmates

Monday, October 19, 2009

Where I'm From - sample by Ms. Sackstein

“Where I’m From”

by Ms. S. Sackstein


I am from baseballs,
From Spaulding and Wilson.
I am from the kitchen table,
Round, wooden and always smelling of gourmet foods.
I am from the purple daisy, white rose and lush oak tree,
Large with limbs to swing on and climb
(Alive with adventure and excitement.)
I’m from Jewish holidays, loud laughter and family gathering together
From Joy and Nikki.
I’m from “You’ve got a friend,” sung by daddy to me at bedtime
And “have a great day smiley faces” in my lunch bag from my mom.

I’m from “always eat your vegetables or you can’t eat dessert!”
And “Brush your teeth before bed.”
I’m from 9 years of Hebrew school and Bar Mitzvahs,
But never going to temple except for weddings and funerals.
I’m from Hewlett and Eastern Europe, where my family immigrated from.
And stuffed cabbage rich with red gravy and hot noodle pudding that melts in my mouth.

From the story of generations passed
And my Bubbi’s wild pink hair
The paint on the walls and carpets
And terrible cello playing of my youth.
From family vacations to the Caribbean filled with snorkeling and sunshine,
Camping trips and singing “Let the Sun Shine in” around the fire.
Up all night smiling or crying
And warm hugs to come home to after playing kickball around the corner.
I’m from kissing boo-boos to make them better
And licking hot chocolate pudding out of the pot.

I’m from “you can do anything you put your mind to”
And “we believe in you.”
I’m from “You’re perfect the way you are.”

"Gilgamesh" reading a Sumerian myth

We will be reading Gilgamesh in class next week (October 26th - October 30th) - This is going to require some reading on your own time...

Monday - 10/26 - we will be introducing the myth in class
Tuesday - 10/27 - we will be doing a whole class reading of Tablet one
Wednesay - 10/28 - we don't have class, but in your academic lab, you should be working with groups to put together your tablet - each table will be responsible for one of the tablets- it would be a good idea to talk to your friends in other sections of the class and maybe work together in a larger group to understand meaning of the tablet - identify key plot points, establish varying qualities of the writing that others would be interested in knowing about - you should have notes provided for your sections for the class on chart paper with textual references as you present

Thursday - 10/28- begin jigsaw presentations
Friday - 10/29 - complete jigsaw presentation

http://www.ancienttexts.org/library/mesopotamian/gilgamesh/

Here are the assignments by table:

Tablet 1- whole class
Tablet 2 - Table 1
Tablet 3 - Table 2
Tablet 4 - Table 3
Tablet 5 - Table 4
Tablet 6 - Table 5
Tablet 7 - Table 6
Tablet 8 - Table 7
Tablet 9 - Table 8
Tablet 10 - whole class
Tablet 11 - whole class

Embedded Assessment # 2 - Presenting Two of my voices due Nov. 9th (Monday)

The second half of this unit to finish up the idea of modern cultural voices is to explore the idea of voice.  You will be doing some work outside of class and some inside of class.  Please read the below assignment and post your questions.

Here is your assignment: (from page 49)

Assignment:
Your assignment is to write two original texts that reflect two distinctive voices you possess.  You will share one in an oral presentation (podcast) and the other in a written text.  Each text should demonstrate how you present yourself in two different contexts, roles, or subcultures.

Steps:
  1. Review your notes about your culture and the groups (subcultures) to which you belong.  Look back at your brainstorming about voices you possess and the graphic organizer in which you described the ways you speak and the topics you normally discuss
  2. Choose 2 voices or roles you would be willing to share.
  3. Now, begin brainstorming new ideas for your 2 pieces by considering the people you might address in each role.  Are there particular individuals you speak to often using a specific voice? Or might your pieces represent the thoughts in your head (an interior monologue) rather than be directed to a specific individual?
  4. Once you have identified 2 roles or voices, topics and an audience, consider your purpose and select appropriate genres in which to showcase your ideas.
Drafting
  1. In an authentic voice, craft a rough draft of each piece.  Consider your diction, tone, imagery, and syntax.  The two pieces you create should be distinctly different in style, content, context and voice.
  2. Consider which voice would be most appealing as an oral presentation to an audience of your peers and which voice you m ight prefer to present in writing.
  3. In your podcast, you might include a formal introduction, or you might begin by hooking your audience by opening your presentation "in character." In either case, be sure you demonstrate the voice rather than simply describe it.  you may want to use clothing and props that would illuminate your presenation and voice.
Revising
  1. Create notes for your podcast, highlighting sections you will say loudly or softly, noting what facial expressions you will use, and indicating places you will pause.
  2. Rehearse your piece several times. Get feedback on your presentation.  Be sure tha tyour delivery is smooth and that your listeners will be able to perceive your verbal and nonverbal cues.
  3. Once you have completed revisions, prepare a final copy for submission due Monday, November 9th.
  4. Write a reflection that explains the different voices you portrayed in your pieces. In your reflection, explain why using the appropriate voice for a given situation, audience, and purpose coudl be considered a necessary survival skill in the 21st century.

Due for tomorrow (Tuesday, 10/20)

Your first embedded assessment - Cultural project exploring your own cultural perspective.

Your "Where I'm From" poem.  This should be typed and brought to class printed for display.

Thanks.

Friday, October 16, 2009

Embedded assessment #1 due on Tuesday 10/20

If you are still confused about your cultural project due on Tuesday, please come see me today after 8th period in room 351...

I will go over it one more time...
2:20 in room 351.

Thanks

Tuesday, October 13, 2009

World mythology

In class today we defined mythology as a body or collection of stories belonging to a people and addressing their history, deities, ancestors and heroes.

Each group read a different myth from a different culture and hopefully learned something about a culture it was not familiar with...

Please post the culture your myth was about and what you learned through their story... and consider what your own myths share about your culture while putting together your 3D gallery of personal artificats.

Monday, October 12, 2009

Something interesting from the Denver Post

The best part of an interesting commentary in today's Denver Post...




"Gen Y: Strive for a more complete skill set" -- http://www.denverpost.com/opinion/ci_13527584

By John Bersia

McClatchy-Tribue



Next, she (Gillian Sorensen, senior adviser at the United Nations Foundation, and a former high-level official under two U.N. secretaries-general, Kofi Annan and Boutros Boutros-Ghali) turns to writing. To write clearly and succinctly, what Sorensen calls "lean prose," is critically important. The ability to produce a memo, research report, speech, persuasive letter, statement or other item — and to do so quickly and accurately — is absolutely essential, she says.



Finally, Sorensen urges, students should get into the habit of reading, on a daily basis, the news of the world. One of her personal preferences is her hometown newspaper, but she fully understands young people gravitate toward the Internet, where they can find similar information — and electronic versions of many newspapers free of charge. She cautions, though, they should consult serious sources of news and more than just one. If reading the news of the world becomes a habit over time, you build your knowledge base, awareness and ability to question and challenge, she says; it is a form of continuing education.



In a period of uncertainty, rapid change and economic disruption, I cannot think of better advice for young people.

Saturday, October 10, 2009

When you post your blogs....

Please make sure you guys tell me who is your group...

Covert Bird... who's blog is that? Please email me off the blog... with group names
Who is responsible for this blog? Who is in the group? I'd like to be able to give you credit for doing your work. Make sure you post the roles and the schedule your group came up with.

Friday, October 9, 2009

Inviting me and your classmates to your blogs for lit circles

Go into settings on the tab of your blog
Then go to permissions
Then add authors
Make sure to type in everyone's email addresses

Lit circle assignments

Today in class you got your assignments... you should plan to finish this book by 11/6

You should have - assigned roles, set a schedule and collected everyone's emails

The discussion director will set up your blog for the group... you must invite me too at ssackstein@wjps.org

You will post your schedule
You will post the roles of everyone in the group
You will be discussing the novel on the blog...  based on the questions you come up with... each of your roles will need posts... I will be checking in.

Thursday, October 8, 2009

Summary and Analysis

Summary and analysis differ in multiple ways.

A summary is a comprehensive and usually brief statement about your current literature that includes at least three out of the five "W's" and one "H" .

An analysis states questions and answers how literary devices function in the literature and what they signify, and have a deeper look into something.

Summaries are usually short, and briefly stated. Its direct to the point while it is retelling something. A summary does not state some ones opinion which is makes it simpler to state facts.

Yet on the other hand, an analysis is an in depth long supported statement. It usually conveys some ones opinion while it uses directed quotes from the text. Analysis' are interpretations using a better vocabulary supported by reasons as to why or how something works.

Independent Reading Assignment #1 due tomorrow

Please make sure you email me your assignment by tomorrow - it should be a google.doc, but an email with attachment will be fine (ssackstein@wjps.org

Make sure you use your WJPS email account
Make sure you give the title and author of the novel
All passages should be in quotation marks and should have page numbers
There should be 10 DIFFERENT passages and separate analysis for each
They should be clearly labeled with each component..

Tomorrow in class will be a lit circle day NOT independent reading
The next Independent Reading assignment is due 11/6

Monday, October 5, 2009

Creating an Artistic Representation of my culture - due 10/20

Assignment:
Your assignment is to create a three-dimensional artistic representation of your culture and compose a written text that explains the significance of two of the symbols you have chosen to represent yourself.

Steps:
Planning:
  1. Use the graphic organizer on the next page to generate a list of symbols that represent the cultures with which you identify
  2. Select 2 symbols for each category (a total of 10) and think of an artistic method for making each symbol.  You may use painting, sculture, collage, found materials, watercolors, cut paper, ik, pastels, and/or actual artifacts or souvenirs, and so on.  Remember that your final product must be three dimensional, not a flat surface.
Creating:
  1. Collect and/or create the objects for your artistic representation
  2. then choose two symbols from the ten you have created that are especially meaningful to you.  Write two paragraphs that explain the significance of the two symbols.
Refining:
  1. Experiment with various arrangements until you find a way to display the 10 objects that is aesthetically pleasing and engages your audience.
  2. As you look at your artistic representation, try to anticipate questions that your audience might have.  Practice answering the questions aloud.
  3. When your evise your written explanation of the significance of your symbols, try to incorporate answers to those anticipated questions into your explanation
  4. Edit your written explanation using the tools available to you to presentan error-free text
  5. Be prepared to share and explain your artistic representation of your culture to a small group or in a gallery walk
  6. Reflection: did people read my symbols in the way that I thought they would? Hwo might I revise accordingly?

Sunday, October 4, 2009

Reminders for Monday

Don't forget to bring your Spring Board books to class with you tomorrow and Tuesday.

PLEASE DON'T FORGET :)

World news... what interests you?

http://www.nytimes.com/pages/world/index.html

Have a look at the world news from the NY Times today...

What is of interest of you?  What do you learn about other places?

Modern cultural voices.... what do they say?

Saturday, October 3, 2009

Class cultural quilt

On Monday we will be starting a two day project to create a class cultural quilt.  If you can bring in photos or culturally significant items that would be easily glued into something for a wall hanging (i.e. not any objects... pictures of objects are preferred.)

We will also be going over the embedded assessment... I know there has been a lot of confusion.  Please bring in all specific questions about the assignment to class on Monday.

See everyone on Monday.  Thanks for your well wishes.  I'm feeling much better. :)

Friday, October 2, 2009

Lit Circle books

were not supposed to go home with anyone today.  Please bring them back to school on Monday.
Thanks

Lit circles

Please discuss the books that you are most interested in reading for the lit circles here and why. 

See everyone on Monday.  Thank you for your well wishes.  I'm sure I will be great by then.

Ms. S
 (I also promise to spend class time going over the project... I promise :)

Thursday, October 1, 2009

Project clarification

Please think about things that represent your culture... fill out the graphic organizer regarding your topic... start writing about these things...

We will discuss on Monday, I promise, the details of the assignment. 

Culture through Literature

In class today we read an excerpt of a memoir entitled, "Funny in Farsi".  We discussed what we learned about Irani culture from the details given in the story.  We also talked about how other people outside of our country view America...

the term irony came up because a lot of students didn't think the story was that funny...

When you are selecting your lit. circle books in class tomorrow... I really want you to focus on learning about the cultures you are reading about... what do you learn about their traditions?

This will all help you with your embedded assessment - Which isn't due until Tuesday, 10/20 - Presentations of those projects will begin that day as well.

Embedded Assessment #1 is due on 10/20

Your projects are due on 10/20 and presentations will begin.  All students are required to present their projects to the class.

Wednesday, September 30, 2009

Independent Reading Assignments - directions (to be used as reference)

Directions: Identify and present passages from your independent reading book that illustrate the qualities listed below. Limit passages to one page of text. To present them, you may type them or photocopy and paste them.


After each passage, write a brief but specific explanation of hot the passage exemplifies the quality stated (three to five sentences). Remember to provide the page number of each passage.

  • passage that reveals an important quality about the main character (protagonist)
  • passage that shows an important part of setting
  • passage that suggest the complexity of the protagonist's conflict(s)
  • passages that suggest the complexity of the protagonist's conflict(s)
  • passage in which the author uses language in a particularly effective way
  • passage in which the author uses language in a particularly effective way
  • passage that shows teh symbolic importance of something or a passage that suggests why the book has the title it has
  • passage that shows the protagonist's situation at the end
  • passage that suggests and important idea, theme, or insight the book conveys
  • passage that shows what you liked about the book

for Thursday, 10/1 - Springboard Texts to class

Please make sure to bring your Springboard books to class on Thursday, 10/1 - you need them for this week's skill - reading with purpose

Thanks,
See you in class tomorrow

Reminder, 1st independent reading assignments are due via email/google.docs on  Friday 10/9

Tuesday, September 29, 2009

Embedded Assessment #1

In class today, you went over the first big assignment (p.24 in the text).  I'd like you to post your ideas and questions to this post.

Monday, September 28, 2009

Reminder

Please remember to bring your Springboard books to class tomorrow.  They are necessary for your lesson.

If you come unprepared, you will NOT be able to go to your locker to retrieve them and will be marked unprepared.

Please let your friends know.

Thanks :)

National Punctuation Day

http://www.nationalpunctuationday.com/

From Mr. Nisonoff

Please remember to bring your text books to class tomorrow (9/29). Also, when Ms. Sackstein and I were observing your independent reading on Friday we noticed that too many of you were coming to class unprepared. Please note that, in accordance with WJPS rules, you will not be allowed to go to your lockers during class time. You must always have your independent reading books with you and you must bring your text books to class every Monday and Tuesday. Excuses such as "I didn't know" or "I forgot to check the blog/website" will not get you off the hook. This is a short week because of the three day weekend so please come to class prepared to work.

Sunday, September 27, 2009

Tips for when I don't know words by AGS Publishing

  • if the word is boldface, look for the definition on the word at the bottom of the page
  • if the word is not boldface, read to the end of the sentence and maybe the next sentence.  Can you determine the unknown word now?
  • Look at the beginning sound of the unknown word
  • Ask yourself, "what word would make sense here that begins with this sound?"
  • Sound out the syllabiles of the word
  • If you still cannot determine the unknown word, see if you know any parts of the word: prefixes, suffixes, or roots.
  • If this does not work, write the word in the glossary section of your notebook and look it up in the dictionary after you have finshed reading the selection.
  • If the word is necessary to understand the passage, look it up in a dictionary or glassary immediately.

How do I read specific types of literature? tips by AGS Publishing

When reading poetry:
  • read the poem aloud
  • listen to the sounds of the words
  • picture the images the author is describing
  • reread poems over and over again to appreciate the author's use of language
When reading essays:
  • review the questions, if any before reading the piece
  • make predictions
  • remember that essays usually express an author's opinion. Try to understand how the author arrived at these opinions
When reading plays:
  • picture the setting of the play. There is usually not much description. Try ot relate it to what you have seen before.
  • Pay attention to the dialogue.  How does the dilogue reveal the characters' personality? Have you ever known anyone like this?  Are you like this?

How do I read? tips by AGS Publishing

Strategies:
Before beginning reading:
  • read the selection's title
  • look at the pictures and other visuals
  • read the background material that may be provided
  • predict what you think the selection is goin gto be about
  • ask yourself questions about the material
As you read:
  • Think about the predictions that you made before reading.  Were you right?
  • Make new predictions as you read
  • Read the notes in teh side columns (if provided).
  • Think of people or events in your own life that are similar to those described.
  • Reread sentences or paragraphs that you don't understand.
  • Refer to a dictionary if you don't know words
  • In a notebook or on notecards, record definitions of words that you do not know.
After you read:
  • Think about the quesitons that you asked yourself before you read.  Were your answers to these questions right?
  • Reread interesting or difficult parts of the selection
  • Paraphrase what you read
  • use graphic organizers to help you organize and remember information

Literature Circles - Roles to be used in class...

http://www.englishcompanion.com/pdfDocs/litcirclepacket.pdf

Please review the following document and take notes in your notebook by Friday, 10/2

Friday, September 25, 2009

Independent Reading blogwork #1 checkin

In class today, each of you had to read a book of your choosing.  I took the status of the class to see how everyone was doing.

Please share with the class what you read, are reading and something interesting about the section you had the chance to read... please avoid full plot summary.

You may:
talk about the character
discuss a passage that you think would engage other students -
post an excerpt with page number and a short analysis like you will do for the assignment
something that disappointed you
something about theme
something about a symbol
good use of language

Looking forward to seeing what everyone is reading and how we can start to foster conversations around literature in our learning community.  These posts are due by class on Tuesday, 9/29

Ayn Rand Essay Contest - deadline 3/20/2010

Please see http://www.anyrandandeducation.com/  for specific guidelines and directions.



If you are interested and would like help, please see me.

Thursday, September 24, 2009

Independent Reading

Please make sure to bring your independent reading book to class tomorrow with post-its and a pen.

For Friday, 9/25

Google.docs

Now that everyone is using their WJPS emails, you have access to Google.docs.  All assignments that are due to come in should be turned in via google.docs paperlessly.

Your first independent reading assignment should be shared in this manner.

If you don't know how to use the technology, please let me know and I will set up an after school seminar in how to use the technology.

Tuesday, September 22, 2009

Sunday, September 20, 2009

Independent Reading rationale -

According to the College Board, "research indicates that the best way for students to improve their reading skills is to engage often in independent reading for extended periods of time."

Guidelines for the independent reading are:
  • Texts should be short enough for students to read outside of class in two weeks and engaging enough that students will be motivated to read them
  • Texts should have a first person narrator who conveys a strong voice
  • Texts should have an identifiable cultural context perhaps including, but not litmited to, such elements as food, sports, hobbies, religion, clothes, family, music, art, education, gender, ethnic identity, etc
Possible titles and authors include:
Persepolis by Marjane Satrapi (graphic novel)
Funny in Farsi by Firoozeh Dumas (memoir)
Chicana Falsa by  Michelle Serros
How to Be a Chicana Role Model by Michelele Serros
Brighton Beach Memoirs by Neil Simon (a drama)
Angela's Ashes by Frank McCourt (memoir)
The Freedom Writers Diary by Erin Gruwell (memoir)
Always Running by Luis Rodriguez (memoir)
Yello-Oh Girls! by Vickie Nam
Joy Luck Club by Amy Tan (novel)

Friday, September 18, 2009

Day 2 exemplars - please read

Please read a 6,3,1 for each of the below
http://www.nysedregents.org/testing/engre/eng-609/eng-rg-two-a-609s.pdf

http://www.nysedregents.org/testing/engre/eng-609/eng-rg-two-b-609s.pdf

What did reading these essays help you understand about the task? What do suspect is being tested in these tasks?

What standards must you master to be successful?
http://www.nylearns.org/

please comment to this link for Monday... we will be talking about this in class on Monday.  Please make sure to bring your notebook and a pen and an independent reading book.

Diagnostic testing

Today is the last day of diagnostic testing (as I'm sure you are all happy to know)

I've noticed many things that we will be working on this year and it has been a helpful way for me to get to know each of you as writers.

Starting next week we will be talking about routines that the class will be establishing...

Monday and Friday will be literature related days (Monday whole class or small group, Friday - independent or small group - most likely lit. circles)
Tuesday will be a skills day
Thursday will be a writing day

In class on Monday, everyone will be reseated based on need and location... seats may be changed at teacher's discretion.

Wednesday, September 16, 2009

finallly figuered out how to use this blog

Tuesday, September 15, 2009

Tasks 1 and 2

So you all have endured a diagnostic Task 1 and Task 2...

Please follow the link provided below to see what some sample essays look like...

http://www.nysedregents.org/testing/engre/eng-609/eng-one-rg-609s.pdf

Included is a rubric for each task.

Read a level 6 essay for both task and a level 3 for both task and then comment to this post about what you notice is required to acheive these grades.

Please be ready to discuss by Monday, 9/21

Routine Reminder

Please come to class with an independent reading book, ALWAYS.

Make sure that when you first arrive at class you check the board for directions and sit in your seat promptly to get ready to learn.

Independent Reading

You are free to select whatever book you want for your reading assignments...

I only ask that you select novels that will offer enough depth to provide analysis. If you are unsure if your book does that, please see me.

Monday, September 14, 2009

Task 1 essays

Please finish your in class diagnostic essays at home tonight... do not labor over them, type them or rework them...

Task: Write an essay that explains the need for and benefit of having a therapy dog program for the elderly. Make sure to include specific information from the listening passage.

Make sure to bring them in to school tomorrow to be collected.

Failure to submit your essay tomorrow will result in staying after 8th period to write the essay with me in class from 2:20-3.

Please bring lined paper and pen to class tomorrow for task 2.

Thanks

Friday, September 11, 2009

Independent Reading Assignment #1

is due on Friday, October 9th -

They will be do monthly despite your need to read 25 books total in the year, this assignment will continue to help you interact with literature using specific literary elements in an effort to better prepare you for the Regent and college.

Independent Reading Assignments

So we discussed in class today what the independent reading assignment is...
I'm going to post a model to give you an idea of what a good one looks like. If you have questions, you may post a comment to this post and I will do my best to answer it :)

The Notebook by Nicholas Sparks

1) Passage that reveals an important quality of the main character
On page 200

“You have something inside you, Noah, something beautiful and strong. Kindness, that’s what I see when I look at you now, that’s what everyone sees. Kindness. You are the most forgiving and peaceful man I know.”

In this passage an important quality of the main character is revealed. Allie wrote Noah a letter telling him he was kindhearted, forgiving, and peaceful. The reader infers these characteristics however it is confirmed in this passage. Noah is kind to everyone; he was even kind to Allie’s mom even though she hates him. Noah is also forgiving because Allie left him over and over and hurt him countless times however he easily forgave her. Noah is also peaceful when he heard about Lon (Allie’s fiancĂ©) he didn’t become angry and yell, he acted peacefully and rationally.

2) Passage that shows an important part of the setting
On page 31

"Broken sunlight passed through water oaks and hickory trees a hundred feet tall, illuminating the colors of fall. On her left, a river the color of iron veered toward the road and then turned away before giving up its life to a different, larger river another mile ahead. The gravel road itself wound its way between antebellum farms, and she knew that for some of the farmers, life hadn’t changed since before their grandparents were born. "

This excerpt tells the reader that one of the main characters, Allie is on her way to somewhere in the country. The main setting of the book is in fact in the country, in a town called New Bern. A lot of important things happen in New Bern, all the major events. Allie met Noah while visiting New Bern for the summer. Allie is going to see Noah several years later.

3) Passage that suggests the complexity of the main characters conflicts
On page 49

"She walked to the other side of the dock, feeling a sense of closure. A compulsion had driven her here, and for the first time in three weeks the feeling was gone. Shed somehow needed Noah to know about her engagement, to understand, to accept it- she was sure of that now-and while thinking of him, she was reminded of something they’d shared from the summer they were together. With head down, she paced around slowly, looking for it until she found it-the carving. Noah loves Allie, in a heart. Carved into the dock a few days before she’d left."


Allie was driven to New Bern to find Noah. She had to clear things up; the years that followed their summer together, Allie spent thinking about Noah. She found with every boyfriend something wrong, weren’t good enough; they could never amount to Noah. No one could replace the empty space in Allies heart for it was always reserved for Noah. Originally coming to New Bern to find closure Allie ends up finding old feeling. She starts to fall in love with Noah all over again and even wonders if she ever stopped. However now she has to choose between Noah and Lon. Finding it incredibly hard to decide she is not sure what the rite choice is.

4) Passage that suggests the complexity of the main characters conflicts
On page 162-163

“I’m sorry to have to tell you this,” Dr. Barnwell began, “but you seem to be in the early stages of Alzheimer’s…”
It is a barren disease, as empty and lifeless as a desert. It’s a thief of hearts and souls and memories. I did not know what to say to her as she sobbed on my bosom, so I simply held her and rocked her back and forth.
“It’s a degenerative brain disorder affecting memory and personality… there is no cure or therapy… There’s no way to tell how fast it will progress… it differs from person to person… I wish I knew more…Some days will be better than others…It will grow worse with the passage of time…I’m sorry to be the one has to tell you…”

Allie had been acting strange for a while so she and Noah had decided to go to the doctors together. There Noah and Allie learn that Allie has developed Alzheimer’s. A major conflict for the rest of the book, Allie forgetting her whole life and Noah watching destroys both main characters. Everyday Noah must re-tell the story of how they met and fell in love to Allie never actually telling her that they are the characters in his story. Hoping that she will remember on her own Noah thinks love will overcome disease.

5) Passage which the author has used language in a particularly effective way
On page 107

“Noah what are they doing here?’
“I don’t know. I know the swans from up north migrate to Lake Matamuskeet every winter, but I guess they came here this time. I don’t know why. Maybe the early blizzard had something to do with it. Maybe they got off track or something. They’ll find their way back though.”
“They won’t stay?”
“I doubt it. They’re driven by instinct, and this isn’t their place. Some of the geese may winter here, but the swans go back to Matamuskeet.”

The author uses foreshadowing and metaphors in this passage. Allie is the swans/birds that was driven to Noah but doesn’t belong with him (being engaged to Lon). She will eventually realize that she got off track and will find her way back to Lon. The author uses Allie and the swans as a metaphor and her leaving foreshadowing. I thought that was a clever and effective way of using language/literary devises.

6) Passage which the author has used language in a particularly effective way
On page 185

"The sun has long since set and the thief is about to come, and there is nothing I can do to stop it. So I stare at her and live a lifetime in these last remaining moments."

The author uses the word thief to symbolize Allies Alzheimer’s disease. After all it does steal everything from its helpless victims. The memory of Noah and there life will soon slip away like always. The reader feels more emotion and the scene is more powerful with this metaphor. Also the next part about living a “lifetime in these last remaining moments” is powerful and there is good use of language.

7) Passage that suggests why the book has the title it has
On page 4-5

"Ready now. On go the glasses, out of my pocket comes a magnifier. I put it on the table for a moment while I open the notebook. It takes two licks on my gnarled finger to get the well-worn cover open to the first page. Then I put the magnifier in place.
There is always a moment right before I begin to read the story when my mind churns, and I wonder, Will it happen today? I don’t know, for I never know beforehand, and deep down it really doesn’t matter. It’s the possibility that keeps me going, not the guarantee, a sort of wager on my part. And though you may call me a dreamer or fool or any other thing, I believe that anything is possible.
I realize the odds, and science, are against me. But science is not the total answer; this I know, this I have learned in my lifetime. And that leaves me with the belief that miracles, no matter how inexplicable or unbelievable, are real and can occur without regard to the natural order of things. So once again, just as I do every day, I begin to read the notebook aloud, so she can hear it, in hope that the miracle that has come to dominate my life will once again prevail. "

This passage explains why the book has the title it has. Noah has written his and Allies story down in a notebook, knowing that she was developing Alzheimer’s disease. So when she started to forget her life she would be able to read and remember. However Allie’s condition has worsened and Noah is the one who has to read from the notebook every day hoping his wife will remember. The chances of Allie remembering are slim to none and with the odds against him Noah proves time and time again that love will prevail.



8) Passage that shows the main characters situation at the end
On page 207

I gently trace the outline of her cheek, then take her hand in mine. I kiss her lips, her cheeks, and listen as she takes a breath. She murmurs softly, “Oh, Noah… I’ve missed you.” Another miracle-the greatest of all!-and there’s no way I can stop the tears as we begin to slip toward heaven itself.

After reading the notebook aloud to Allie a miracle happens. Allie remembers Noah and there wonderful life together. She remembers that’s the girl in the story is her and she chose Noah. The two are on their way to heaven together both remembering everything. This is a very emotional time. Earlier in the book Noah expresses his concerns about dying without Allie, it’s not how he imagined it would be. So then in the end for everything to happen the write way, how he wanted and how it was meant to happen is amazing. Allie remembers, even though she has a disease that makes her forget. This ending proves the point Noah and so many other preach, love is stronger than anything and it will always prevail.

9) Passage that suggests an important idea/insight the book conveys
On page 176

"And I learned what is obvious to a child. That life is simply a collection of little lives, each lived one day at a time. That each day should be spent finding beauty in flowers and poetry and talking to animals. That a day spent with dreaming and sunsets and refreshing breezes cannot be bettered. But most of all, I learned that life is about sitting on benches next to ancient creeks with my hand on her knee and sometimes, on good days, for falling in love. "

In this excerpt Noah is explaining to readers what he has got out of his experience. I think it is true that you should cherish each day separately and make the most of them. People suffering with addictions are told to treat each day as a new day, and differently from the last. Do not dwell on what has happened and have no regrets but look forward to the future and the things to come. I think this is one of the messages I kind of all ready knew but the book conveyed.

10) Passage that shows what you liked or disliked about the book
On page 201

So I love you so deeply, so incredibly much, that I will find a way to come back to you despite my disease, I promise you that. And this is where the story comes in. When I a lost and lonely, read this story-just as you told it to the children-and know that in some way, I will realize it’s about us. And perhaps, just perhaps, we will find a way to be together again.
Please don’t be angry with me on days I do not remember you, and we both know they will come. Know that I love you, and we both know that I always will, and that no matter what happens, know I have led the greatest life possible. My life with you.
And if you save this letter to read again, then believe what I am writing for you now. Noah, wherever you are and whenever this is, I love you. I love you now as I write this, and I love you now as you read this. And I am sorry if I am not able to tell you.

I think this is my favorite part of the book and also the adapted movie version of this scene. It’s so emotional and touching to me. Allie knows what’s going to happen, she’s going to lose her memory and forget Noah. So she writes him a letter, a very touching one might I add. I think the whole concept alone is really special. First the idea that she is going to forget the love of her life, the one person she loves to death, after everything they have been through, she will forget him. It’s like the author is really sick, in every book he has some tragedy happen. The last book I read by him the wife dies, and there child almost dies, and I saw a movie based on his book about a couple who falls in love and then the girl develops cancer and dies. It’s just horrible, but in a way really smart. The good guy always wins and there is always a happily ever after, but not according to Nicholas Sparks. He says that something bad can happen but out of that something bad will come something good. It’s a little confusing and I don’t know if I am explaining it write, but it’s something I noticed.
It’s weird that I am saying this but I actually liked the movie better. I usually like books better because it gives the reader more freedom to imagine the characters and have creative freedom to conjure up images. There’s no script and nothing is set in stone. However I liked the movie much better. Aside from a few parts I actually didn’t like the book. I notice with Nicholas Sparks that his beginnings are very slow and after the first 100 pages the book gets good. However I doubt many people will stick around for those first 100 pages. Overall the book was okay, but I was a little disappointed.

Thursday, September 10, 2009

Syllabus

ssackstein@wjps.org
September 10, 2009

Dear Student:

I want to take this opportunity to welcome you to your 10th grade World Literature class at WJPS. I want to invite you to participate in an experience which will create a positive influence in your life.

Our classroom will be a community environment. Everyone's voice and opinion is important and will be listened to and heard. We will treat each member of our community with the same respect that we would all like to be treated with. I will do my best to ensure that everyone’s needs are met. I am here to help facilitate your learning and are looking forward to gaining valuable information and wisdom from you. Being a part of a community is a big responsibility -- I hope you will choose to rise to the occasion!

What we expect:
 Come to class prepared and on time
 Participation in class discussion.
 Completed homework. (This includes all projects and/or drafts of projects and essays)
 Completion of all reading assignments and journal entries
 Respect for the thoughts and feelings of all of your classmates (We work as a team here!)
 Attendance of after school tutoring when you need extra support.

What you can expect:
 Your assignments returned in a timely fashion with comments.
 Our assistance whenever you request it.
 Friendly smiles and fair minds to help direct the class.
 An interesting and exciting class that you can look forward to attending.
 High expectations and constant encouragement (We know you are capable of impressing everyone -- make yourself proud, we know you can!)
 A willingness to accept suggestions to better fit the class to your needs.

I look forward to an exciting and successful year together and to the opportunity to help expand your skills and your horizons.

Sincerely,


Ms. Sackstein



Course Description
This year we will be exploring culture and community through a thematic approach using literature of the world working with your global studies learning. Themes that will be covered are:
1. Voices of modern culture
2. World Mythology
3. Cultural conversations
4. Community
5. Justice
6. Building culture bridges

More specifics here with what we hope to achieve within the Standards…

Course Objectives

By the end of the school year, students are required to have a completed portfolio encompassing the range of work produced throughout the school year. This portfolio will represent and reflect the skills and knowledge learned in accordance with, or in excess of, New York State’s 10th Grade English Language Arts Standards. Each student will select pieces that best represent his/her learning and progress, including evidence of drafting, revision, and reflection. The following pieces should have representation in the portfolio:
• A personal essay
• A narrative piece
• A historical fiction piece
• A research paper
• A persuasive piece
• An informative piece
• A variety of shorter pieces chosen by the students (letters, varying pieces of multi-genre pieces, etc.)
• Success on the English Regent

Course Requirements

A. ELA Content

Reading
Students are expected to read on a daily basis. By the end of the year students should have read 25 books. Evidence of reading may be in the form of reflection, analysis, and critique in the student’s Readers’ Sourcebook, or through other methods of literary response. One recurring assignment will be an independent reading assignment monthly to follow.

Writing
Students are expected to contribute to their Writers’ Sourcebook daily. Entries may include, but are not limited to: brainstorming, outlines, topic searches, reflections, drafts, revisions, free writes, ideas, notes, etc.

Throughout the year, students will write several pieces of writing that go through multiple drafts of content revision. Frequently students will be allowed to choose their own topics, with the knowledge that their choice or subject, intended audience and purpose direct the decisions they make while writing. Students will be encouraged to make connections between published work and their own produced work.

Editing is seen as a separate and final stage in the writing process. Upon completion of the final draft, students turn in all drafts of the piece (with proof of revision) and a reflection on both their writing process and their choices and decisions made in the creation of the work. Numerous drafts are expected. These final pieces will be collected in a portfolio.


Course Scope: ELA
Standard ELA1: Language for Information and Understanding - Students will read, write, listen, and speak for information and understanding.
Standard ELA2: Language for Literary Response and Expression - Students will read, write, listen, and speak for literary response and expression.
Standard ELA3: Language for Critical Analysis and Evaluation - Students will read, write, listen, and speak for critical analysis and evaluation.
Standard ELA4: Language for Social Interaction - Students will read, write, listen, and speak for social interaction.
More specifics can be found at www.nylearns.org


Recommended Reading/Booklist

…more here